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Tim Van Laere Gallery presents 'Live Forever', a group show with work by Bram Demunter, Gelatin, Adrian Ghenie, Kati Heck, Friedrich Kunath, Edward Lipski, Jonathan Meese, Tal R, Daniel Richter, Peter Rogiers, Ben Sledsens, Ed Templeton, Henk Visch and Anke Weyer.
Art --- Heck, Kati --- Ghenie, Adrian --- Meese, Jonathan --- Kunath, Friedrich --- Visch, Henk --- Templeton, Ed --- Rogiers, Peter --- Sledsens, Ben --- Weyer, Anke --- Tal R --- Demunter, Bram --- Richter, Daniel --- Lipski, Edward --- Gelatin --- hedendaagse kunstenaars --- tentoonstellingscatalogus --- MAD-faculty 20 --- Gelatin [Vienna] --- Art, Modern --- Demunter, Bram, --- Ghenie, Adrian, --- Heck, Kati, --- Kunath, Friedrich, --- Lipski, Edward, --- Meese, Jonathan. --- R, Tal, --- Richter, Daniel, --- Rogiers, Peter, --- Sledsens, Ben, --- Templeton, Ed. --- Visch, Henk,
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In March 2020 life as we knew it had been put on hold. The outbreak of the global pandemic caused by the virus COVID-19 forced countries all over the world to come up with new strategies to prevent the disease from spreading. This resulted in lockdowns, the closure of all international borders and social distancing. In line with the restrictions decided by the government, Tim Van Laere Gallery closed the gallery for the first time since its foundation in 1997 for over a month time to the public. After this period of time the gallery felt it was important to celebrate life and art again and even though travel restrictions are still in play, the group show was a way to bring the artists together again through their works and reconnect to one another. The title of the show 'Enjoy and Take Care!' enhances this feeling of celebration, solidarity and togetherness.
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Auteur Ann De Rocker hield een dag-tot-dag verslag bij. Haar ups en downs, haar hoop en wanhoop en haar frustraties. Wat aanvankelijk begon als een spannend zwangerschapsavontuur veranderde op een paar maanden tijd in een ongelooflijk intens hobbelparcours. Zwanger worden, zelfs met de hulp van de laatste wetenschappelijke ontwikkelingen op het gebied van IVF en onder begeleiding van gerenommeerde specialisten, bleek een moeilijk vervulbare wens. Het is een bijzonder boeiende getuigenis, recht uit het hart, eerlijk en met een snuif relativerende humor. Wat het boek 'Leven zonder filter' (auteur Fleur Van Groningen over hoogsensitiviteit) betekende voor HSP, kan de Roze Prikballon betekenen voor iedereen die ooit in aanraking kwam met IVF.
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Le peintre, graveur et photographe Jozef Van Ruyssevelt (1941-1985) a produit en un petit nombre d'années une oeuvre riche et intense encore trop méconnue. Maître du clair-obscur et de la couleur, il a trouvé une source d'inspiration constante dans l'évocation de son univers quotidien - meubles et objets familiers, plantes, murs, fenêtres, feuillages, herbe et campagne environnante. On relève dans sa facture les transitions brusques qui étaient aussi dans son caractère, l'exaltation succédant à l'abattement et inversement. Cet ouvrage présente un grand nombre de travaux essentiels, dont beaucoup n'ont encore jamais été reproduits, complétés d'archives photographiques inédites. Parmi les dessins, plusieurs gouaches sont hantées par les esprits de Joseph Mallord William Turner, John Constable, Vincent van Gogh, Edward Hopper, Cy Twombly ou Mark Rothko. Or un esprit n'est pas une influence. Van Ruyssevelt ne pouvait ni n'aurait voulu dessiner d'après leurs tableaux. Ces feuilles montrent un pacte mystérieux et secret entre peintres, avec la Peinture : c'est l'autre visite du livre.
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Image de la première de couverture
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Marcel Dzama (1974 Winnipeg, Canada. Lives and works in New York) has developed an immediately recognizable visual language that investigates human action and motivation, as well as the blurred relationship between the real and the subconscious. Drawing equally from folk vernacular as from art-historical and contemporary influences, Dzama?s work visualizes a universe of childhood fantasies and otherworldly fairy tales. Dzama?s image repertoire includes a wide range of art-historical quotations. One can recognize ballet costumes by Oskar Schlemmer or Francis Picabia, for example, and direct references to Francisco de Goya, Marcel Duchamp and Joseph Beuys. However, it?s not just elements from the past that spur Dzama?s creativity. The music enthusiast has collaborated with various colleagues from the beginning of his career, whether as part of the Royal Art Lodge in Winnipeg, which he co-founded, or in the form of collaborations with Arcade Fire, Bob Dylan, Beck, Kim Gordon (Sonic Youth), the filmmaker Spike Jonze, the actress Amy Sedaris, the ensemble of the New York City Ballet, or fellow artists like Raymond Pettibon and Jockum Nordström. In his work Beuys love a girl who plays guitar he brings together the artist Joseph Beuys with the country-singer Dolly Parton. For the exhibition at the Tim Van Laere Gallery he started a series of drawings with more hopeful themes, more serene. ?Because the Trump years were so traumatizing.? says Marcel Dzama. ?Also I usually either do political drawing or I go for this kind of vacation feeling. Almost idyllic. A lot of them are based on photographs taken of my son and wife on vacation. I am still playing with this.
7.07 --- Dzama, Marcel °1974 (°Winnipeg, Canada) --- Tentoonstellingscatalogi ; Antwerpen ; Tim Van Laere Gallery --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Exhibitions --- kunst --- tekenkunst --- 75.071 DZAMA --- 7.071 DZAMA --- schilderkunst --- beeldhouwkunst --- collages --- installaties --- twintigste eeuw --- eenentwintigste eeuw --- Canada --- Dzama Marcel --- Art --- sculpture [visual works] --- life masks --- dioramas --- drawing [image-making] --- video art --- narrative art --- Dzama, Marcel --- Sculpture, American --- Narrative art --- Video art --- Art galleries, Commercial --- Dzama, Marcel.
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